Stories and images from Kitakagaya, an old Osaka neighborhood with little money, yet a wealth of strange, beautiful, and useful ways of approaching life, work, and cities.
Join a celebration and a journey through art, music, culture, and environmental landscapes in Osaka’s port-side creative village. シティーズネイチャーフェスティバルは皆のためのお祝いです。自然と水をテーマにした展覧会やトークイベント、ワークショップなどを行うアートフェスティバル。
To ring in the new year, SocieCity is announcing a new name and more focused direction. From 2019, we’ll continue working with art and ecology in cities, but in a way that more explicitly helps cities and their inhabitants become partners within the ecosystems where they exist.
Invited by the Japanese retailer MUJI, to host a series about ‘connecting to nature’ in their new flagship store, we aimed to plant seeds of change in people’s minds. Can a store like MUJI really align with nature?
Seeing trees as sacred is not an anomaly, it’s the fact that our culture has somehow lost this fellowship that’s an anomaly. If trees are a keystone of our wellness, why not learn to listen to their voice? If we did, how might the things we hear transform the landscape of our city over time? What would a city look like if it were designed by trees?
An ecological art lab and pocket farm located in Osaka, Japan conceived and built by Patrick M. Lydon and Suhee Kang with help from donors and volunteers from Japan and around the world. The space hosts community workshops and exhibitions by an international cast of resident artists, all aimed at re-kindling our relationship with nature.
Our bi-weekly Environment in Review (EiR) is loaded with inspirations and solutions for social and ecological well-being, ranging from national initiatives to community projects.
A temporary restaurant is the opening scene for a multiple-month community based arts and ecology project where we bring to life an empty plot of urban land and invite the community to cultivate food, relationships, and creativity.
Comprising over 7,000 individual leaves collected from beneath a tree, this temporary ‘meditative” installation was created in public view over the course of four weeks at Contemporary Art Space Osaka as part of the Robert Callender International Residency.