For two hours, we asked shoppers in the world’s largest MUJI store (無印良品) near Osaka, Japan to stop shopping, slow down, and re-connect with nature. Here’s what happened…
Seeing trees as sacred is not an anomaly, it’s the fact that our culture has somehow lost this fellowship that’s an anomaly. If trees are a keystone of our wellness, why not learn to listen to their voice? If we did, how might the things we hear transform the landscape of our city over time? What would a city look like if it were designed by trees?
An ecological art lab and pocket farm located in Osaka, Japan conceived and built by Patrick M. Lydon and Suhee Kang with help from donors and volunteers from Japan and around the world. The space hosts community workshops and exhibitions by an international cast of resident artists, all aimed at re-kindling our relationship with nature.
Our bi-weekly Environment in Review (EiR) is loaded with inspirations and solutions for social and ecological well-being, ranging from national initiatives to community projects.
A temporary restaurant is the opening scene for a multiple-month community based arts and ecology project where we bring to life an empty plot of urban land and invite the community to cultivate food, relationships, and creativity.
A team building exercise where groups work together to build a giant mandala from locally-foraged natural materials, celebrating local nature, and building stronger relationships with the environment and each other.
Participants learn simple ways to preserve and use plants to make postcards, exploring the shapes, textures, and colors of local plants, and using them to tell the story of places in more delicate and intimate ways than a traditional postcard.
Comprising over 7,000 individual leaves collected from beneath a tree, this temporary ‘meditative” installation was created in public view over the course of four weeks at Contemporary Art Space Osaka as part of the Robert Callender International Residency.
How do we revitalize dwindling communities? First, we learn about what they are and why they are important. This was a two-month community-based project that fused old-fashioned community interactions with web-based interactive media, allowing islanders and visitors to explore the hidden links between people, culture, and ecology on a small island in Japan’s Seto Inland Sea.
On the face, the installation is a simple call for visitors to take seed into the community to be planted. Yet it also asks us to reconsider the links between ourselves and the food we eat, and the role and power of a seed.
She traveled for 14 months without money, wrote a hand-drawing traveling essay book called ‘Journey of Dust,’ and then decided to work seriously in the field of painting… 3 years later we catch up with Shinhe at her first solo exhibition.